BEST FILM:
Good Will Hunting and Saving Private Ryan...
Certainly “Private Ryan” is a masterpiece, but Damon as the titular character is not the major force of the movie and really barely a minor force. His debut in screenwriting and lead acting, though—Good Will Hunting-- is a brilliant film, driven almost completely by both Damon’s acting and his writing chops.
BLOCKBUSTERS:
Saving Private Ryan
Good Will Hunting
The Ocean’s Eleven trilogy
The Bourne trilogy
The Good Shepherd
Syriana
Courage Under Fire
THE REAL DAMON:
Good Will Hunting...
Co-written by Damon with pal Ben Affleck, for which they won Oscars, and for which Damon’s acting received Golden Globe, Oscar and SAG nominations. Damon was a student at Harvard while he wrote about an outsider genius coping (or not coping) with the Ivy League society.
MOVIES HE PROBABLY WISHES HE DIDN’T DO:
The Legend of Bagger Vance
All the Pretty Horses
Finding Forrester
Mean Streets
Gerry
Brothers Grimm
GREAT PERFORMANCES YOU MAY NOT HAVE SEEN:
Stuck on You (Greg Kinnear’s conjoined twin)
Dogma (vengeful angel Loki)
The Talented Mr. Ripley (man obsessed with Jude Law, Golden Globe nominated performance)
Chasing Amy
The Rainmaker
ACTING STYLE:
Though he is word perfect in the long speeches by Will Hunting, Damon’s natural style is complete unassuming flatness, which is why some of his best roles – a spy in “Bourne” and “Good Shepherd,” a man taking over another’s identity in “Mr. Ripley,” and the pickpocket/con man of “Ocean,” are about people who can disappear.
BITS AND QUIRKS:
A funny clunky walk. Chagrined smile or tight grimace. The sudden outburst. The fast and witty speech. The flat voice.
GREAT SCENES:
DOGMA - “Punishing” the board of directors for their sins
GOOD WILL HUNTING - The bar fight > The interview with the defense contractors
STUCK ON YOU - “Sticking” around as brother Kinnear pursues acting > Spongebob-like skill on the grill > Getting stuck on either side of the bus door
BOURNE - Too many to mention >> The hand-to-hand stuff in the apartment > The spycraft > Returning to the scene of the birth of Jason > Tracking down CIA sub-chief Joan Allen and talking to her on the phone while watching her from a nearby building > Confessing to the daughter of the Russians he killed
OCEAN - “The nose” bit, seducing Ellen Barkin > With Cherry Jones, as his mom
SAVING PRIVATE RYAN - Tom Hanks & Co. find him and he refuses to abandon his station
THE GOOD SHEPHERD - Holding the scene without saying a word >> Dealing with the KGB chief in various stages > Realizing his secretary is a mole > Talking with Mafia chief Joe Pesci about America
GO TO THE... MATT DAMON BIO